Portret van een jonge man by M. Saaf en Co.

Portret van een jonge man 1880 - 1900

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photography, gelatin-silver-print

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portrait

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pictorialism

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charcoal drawing

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photography

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historical photography

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gelatin-silver-print

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19th century

Dimensions: height 83 mm, width 52 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Portrait of a Young Man" by M. Saaf en Co., dating from around 1880 to 1900. It's a gelatin silver print photograph, with the distinct aesthetic of Pictorialism. There's a certain starkness to it, even within the ornate frame. How do you see this piece through the lens of materiality and production? Curator: The very fact that this is a gelatin silver print already tells us something vital. Think of the labour involved. The preparation of the photographic plate, the precise timing, the darkroom work – all reliant on specific chemical processes and artisanal skill, differentiating this from the instantaneity we associate with photography now. Editor: So, it's not just the image but also the intense making of the image that is key here. The chemistry, the craft... Curator: Exactly. And beyond that, consider the social context. Photography in this era was increasingly democratized, yet still carried a certain weight of documentation and representation. Who was this young man? What social class did he belong to that afforded him the possibility of a formal photographic portrait? This isn’t a snapshot; it's a deliberate construction, reflective of specific economic and social relations. How does that make you think about the power dynamics involved? Editor: It makes me think of the act of commissioning, who had the means to be represented. It really grounds it. Curator: And even the materials themselves – the silver, the gelatin, the paper – each with its own history of extraction, production, and consumption. This photo is not just a record but a material object embedded within larger networks of economic activity and labor. By focusing on the materiality of the print and the social factors influencing its creation, we gain a deeper understanding of the complexities underlying even the simplest portrait. It reframes the gaze away from solely the subject, to what encompasses its physical manifestation. Editor: That's given me a whole new appreciation. I’ll never see photography quite the same way!

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