Post-Partum Document. Analysed Markings And Diary Perspective Schema (Experimentum Mentis III: Weaning from the Dyad) by  Mary Kelly

Post-Partum Document. Analysed Markings And Diary Perspective Schema (Experimentum Mentis III: Weaning from the Dyad) 1975

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Dimensions: displayed: 360 x 5830 mm support, each: 286 x 361 x 35 mm

Copyright: © Mary Kelly | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Mary Kelly's "Post-Partum Document. Analysed Markings And Diary Perspective Schema (Experimentum Mentis III: Weaning from the Dyad)" at Tate Britain strikes me as a rather clinical arrangement. Editor: Yes, an almost austere presentation. What do you make of the muted color palette across these framed panels? Curator: The subtle gradations of brown and beige, interrupted by those stark white panels bearing text, create a powerful visual rhythm. The variations in texture and the way the light catches them are quite compelling from a material standpoint. Editor: I see potent symbols of decay and preservation, hinting at themes of motherhood and the passage of time. The work evokes cultural memories, perhaps of a bygone era of more rigid social structures. Curator: Indeed, the piece provokes a fascinating tension between formal restraint and raw emotionality. Editor: Precisely. This juxtaposition invites us to reflect on the multifaceted nature of the maternal experience.

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tatebritain 5 months ago

http://www.tate.org.uk/art/artworks/kelly-post-partum-document-analysed-markings-and-diary-perspective-schema-experimentum-t03925

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tatebritain's Profile Picture
tatebritain 5 months ago

Chalk and crayon drawings by Mary Kelly’s son are overlayed with transcriptions, annotations and reflections based on their interactions as he began nursery. These panels are the third group of a six-part series, each documenting a formative moment in Kelly’s son's early life. Kelly has stated that Post-Partum Document is not ‘autobiographical’. She instead uses her story to suggest ‘an interplay of voices – the mother’s experience, feminist analysis, academic discussion, political debate’. The work subverts romanticised depictions of the mother-child relationship, presenting the experience as inevitably bound up with societal norms and gendered expectations. Gallery label, January 2025