Cherry Blossoms, with poem by Tawara no Komemori (a/k/a Kashōan) Edo period,

Editor: Here we have "Cherry Blossoms, with poem by Tawara no Komemori," attributed to Katsushika Hokusai. It’s a woodblock print, quite small, and the red and white against that gray branch is striking. How do you interpret the use of materials here? Curator: The woodblock technique itself is crucial. Consider the labor involved: carving, inking, and printing. Each impression is a transfer, a commodity produced through a specific process. Does the poem function similarly, adding another layer of cultural production? Editor: That's a great point. I hadn’t thought about the poem as part of the overall material production. Curator: Reflect on the consumption of such images. These prints were relatively affordable, contributing to a broader engagement with art. The materials and their dissemination are as significant as the image itself. Editor: That makes me see how this print democratized art back then. Thanks!