1958
From the Bus, New York
Listen to curator's interpretation
Curatorial notes
Robert Frank made this photograph, From the Bus, New York, at an unknown date using photography. Isn’t it great? The high-contrast black and white gives the image a stark, almost confrontational feel. It's less about capturing a scene perfectly, and more about grabbing a feeling on the go. Look at the surface, it's not slick, it’s got grit, like he developed it himself, maybe in a rush. The shadows are intense, almost swallowing the lone figure crossing the street, and the bus itself, our point of view, is cut off, cropped. That cropping, that's what I think about. It's like a painter making a quick sketch, not fussing over every detail. There's something about how this shot reminds me of the paintings of someone like Gerhard Richter. He used photography as a basis for his paintings, making them blurry, almost out of reach. What do you think? Maybe photography is a painting too.