Projet d'illustration pour Macbeth - Lady Macbeth somnambule 

Luc-Olivier Merson’s study for an illustration of Lady Macbeth was likely made with oil paint on paper, using loose brushstrokes and a limited palette. The quick, gestural application of the paint is key. It suggests a mind at work, rapidly setting down ideas. Merson’s approach embodies the spirit of ‘ébauche,’ a French term for a preliminary sketch. This mode of working was increasingly popular in the 19th century, as artists explored spontaneity and direct expression. The visible brushwork and tonal variations create a somber, almost ghostly atmosphere. However, the illustration also speaks to the social and cultural context of the late 19th century. The ability to create such a fluid painting required considerable skill and training, reflecting the artist's position within a well-established art world. This piece blurs the lines between fine art and illustration, demonstrating the value of both artistic vision and technical execution.