Student aan het werk in de avond by Carel Christiaan Antony Last

Student aan het werk in de avond 1838

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drawing, print, paper, ink, engraving

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drawing

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ink paper printed

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print

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paper

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ink

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pen-ink sketch

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pen work

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sketchbook drawing

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genre-painting

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academic-art

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engraving

Dimensions: height 365 mm, width 550 mm

Copyright: Rijks Museum: Open Domain

Curator: Looking at this piece, what's your first impression? Editor: The pen and ink create a muted, somewhat melancholic atmosphere. It feels quite intimate, the way the artist focuses the light on the central figure. There's a strong sense of interiority—literally and figuratively. Curator: Exactly. This is "Student aan het werk in de avond," or "Student Working at Night," created by Carel Christiaan Antony Last in 1838. It’s a print made with engraving and ink on paper, and it resides here at the Rijksmuseum. What resonates most strongly with me is how this image captures the trope of the struggling artist and the life that they are choosing for themselves, filled with hard work but a lot of emotional conflict. Editor: Yes, there's a tension between the focused concentration of the student and the distraction of those three figures behind him. Note how the linear precision and controlled shading really direct our gaze. Even the floral border reinforces that sense of containment and artistic constraint. Curator: The framing is quite interesting here! It's an explicit invitation into the scene and hints at external social pressures. The student, though clearly dedicated to his art, exists within a particular historical and social context. There are traditional expectations placed on the youth—study hard, build yourself up. It is worth asking: who are these men, why are they behind him, and are they helping or hurting his mental state? Editor: The figures behind almost melt into the background. Their forms lack the defined structure we see in the student's posture. Perhaps they are mere figments of the student’s anxieties? This use of form speaks volumes, literally setting one's priorities or burdens. Curator: That interpretation beautifully underlines the inherent social anxieties embedded in the image. The artist is not only working but wrestling. We must ask, who defines our self-image and potential? Editor: It truly makes you reflect. Curator: Indeed. The piece's strength lies in the fact that it portrays timeless existential questions within the space of artistic creation.

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