Horse by  Bryan Kneale

Horse 1985

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Dimensions: support: 1831 x 913 mm

Copyright: © Bryan Kneale | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: So, this is Bryan Kneale's "Horse" from the Tate collection. It's a large drawing, mostly in blues, depicting the skeletal and muscular structure of a horse. It's quite striking, almost haunting. What do you see in this piece? Curator: I see a commentary on power, and its inherent fragility. The horse, historically a symbol of strength and status, is stripped bare, revealing the vulnerable anatomy beneath. Consider how the use of blue, often associated with melancholia, further subverts expectations. What does this say about the romanticised notions of empire, class and masculinity so tightly bound to equestrianism? Editor: That's fascinating! I hadn't considered the symbolism of the horse in that light. I was mostly just thinking about the artistic skill. Curator: Exactly! It’s about deconstructing those power structures and understanding their implications. It makes you think about what it means to see an animal in art, and why we portray them a certain way. Editor: I'll definitely look at equine art differently from now on. Curator: I'm glad to hear it. It's all about questioning the established narrative.

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tate 3 months ago

http://www.tate.org.uk/art/artworks/kneale-horse-t04892

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tate 3 months ago

Horse belongs to a series of works Kneale describes as 'Bone Drawings'. As a sculptor, Kneale had made preparatory sketches, but he had not seen drawing as 'an end in itself'. He began to draw intensely after an accident in 1984, which left him temporarily disabled, and a visit to Rome in 1985, which increased his desire to draw. His fascination with 'anatomical odds and ends' and 'mouldering skeletons' can be linked with his desire to 'express the whole' and to his admiration of the paintings of George Stubbs (1724-1806), an artist famous for his equestrian imagery, whose work is also on display at Tate Britain. Gallery label, August 2004