Rendezvous For Marly, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle by Heinrich Guttenberg

Rendezvous For Marly, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle n.d.

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drawing, print, etching, paper, engraving

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drawing

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germany

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print

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etching

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landscape

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figuration

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paper

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genre-painting

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history-painting

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engraving

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rococo

Dimensions: 267 × 217 mm (image); 410 × 321 mm (plate); 527 × 411 mm (sheet, folded)

Copyright: Public Domain

Editor: This is "Rendezvous For Marly," an undated print made by Heinrich Guttenberg. It looks like an etching and engraving on paper. The scene feels very staged, almost theatrical. The people are gathered outdoors in their finest garments, but it feels more like a performance than a natural gathering. What do you make of this performance? Curator: Ah, yes, a "Rendezvous." Consider the umbrella held aloft. Not just a shield from the sun, but a symbol of status, a barrier creating a private sphere in a public space. The towering hairstyles and elaborate dresses further distance them from any notion of pastoral simplicity. They are visual declarations of identity. Editor: Identity and separation? It seems odd to want separation while seeking a rendezvous. Curator: Consider the dogs, too. Small, pampered, kept as pets. Their very existence depends on the whims of their owners. They mirror, perhaps, the dependencies within this human hierarchy? Do you think the people look as carefree as they seem? Editor: Hmm, the title seems so lighthearted, but looking closer, there’s an element of tension, of social performance and perhaps constraint. The carefree moment seems artificial. Curator: Indeed. Notice how light plays across the scene. Light often embodies reason or divine favor. But what happens when the light exposes the superficiality beneath the spectacle? Editor: So the image isn’t just a depiction of a social gathering; it's a commentary on the social structures and performance of identity. It is like cultural memory of status through attire! Curator: Precisely! Through symbols like the umbrella, dogs, and elaborate attire, the print whispers about power, dependence, and the carefully constructed nature of social life. It seems Guttenberg and his circle knew a thing or two about the weight and purpose of imagery. Editor: This has certainly given me a new perspective on the piece and on this era's obsession with visual symbolism and status.

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