The Artist's Hand V 1979

Editor: Here we have Henry Moore's "The Artist's Hand V" created in 1979 using ink and charcoal on paper. I am really captivated by the almost overwhelming texture and the sharp contrast. What’s your take on this piece? Curator: Well, looking at "The Artist's Hand V," I am immediately drawn to consider the public role of art and politics of imagery in self-representation. How does Moore, primarily known for his sculptures, present himself and his artistic persona through this intensely personal and immediate medium of drawing? It prompts us to consider how artists, particularly those achieving considerable public recognition, engage with their own image and craftsmanship. Editor: That's interesting. It's like he is showcasing the very tool of his trade. Curator: Precisely. The hand, dramatically magnified, becomes a symbol. Consider how images of hands are loaded with symbolism – creation, power, labour. But here it's *his* hand. Do you think the choice of a realistic style influences the perception of the artwork and the artist's identity? Editor: I think it adds authenticity, suggesting direct, unfiltered access to the artist's process. Something raw, not mediated. Curator: Indeed. It stands in contrast to the monumentality often associated with his sculptures. But consider also that during the 1970s, there was a growing interest in artistic process. Don’t you agree that the museum visitors might have responded to it differently because it offered this ‘backstage’ pass? Editor: That makes sense! It’s more than just a hand; it’s about showing how art is *made*. I hadn’t thought about the public's interest in artistic process like that. Curator: And it makes you think about the value that society places on artistic skills. This has given me so much to consider for future audio guides. Editor: I’ll never look at hands in art the same way!