Béla Czobel, a Hungarian painter, rendered this intimate half-nude with oil on canvas. In the early 20th century, the nude was a well-worn subject in the Western art tradition. It was a genre that carried the weight of academic expectation, but was being radically re-imagined by artists associated with movements like Fauvism and Expressionism. We can see echoes of both in Czobel’s brushwork and palette. It is likely that the painting was produced in France. Czobel moved to Paris in 1904 where he encountered the work of Matisse and Picasso. Although Czobel eventually turned away from these more avant-garde styles, this painting reflects an important moment in which the young artist was grappling with the social and institutional expectations for painting. By situating works of art within their historical context, we, as art historians, are better able to understand their significance. Investigating the archives of the museums and galleries where Czobel exhibited, and reading contemporary art criticism can shed more light on the social and cultural conditions that influenced his artistic production.