Dimensions: support: 189 x 258 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is a drawing by Thomas Gainsborough, titled "A Cottage, Cart, Horsemen, Etc.". It's rendered in graphite, I believe. It seems like a quick study of rural life, but what strikes me is its sketchiness and how that speaks to the immediacy of production. What do you see in this piece? Curator: It's interesting to consider this drawing in relation to Gainsborough's more polished paintings. Look at the efficient use of graphite; almost utilitarian. The 'etc.' in the title suggests a cataloging, a visual inventory. Could this be a commentary on land use and emerging transportation systems? Editor: So, you’re thinking about how this quick drawing relates to broader economic shifts? Curator: Precisely! The materials themselves speak to a changing landscape of artistic production and consumption. It prompts us to consider who had access to such scenes and for what purpose. Editor: I never considered that! I appreciate the reminder to think about the means of production itself as holding valuable information. Curator: Indeed. And thinking about how it shapes our understanding of art.
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http://www.tate.org.uk/art/artworks/gainsborough-a-cottage-cart-horsemen-etc-t08920
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Gainsborough's drawing style and subject matter have much been imitated by other artists, making attribution of this drawing difficult. The identification of the media used here is also difficult: it has the greyness of charcoal but also the hardness, striations and scratches most common with black chalk. The artist has worked quickly using long diagonal strokes broadly over the sheet to suggest the trees and foreground areas. In defining the cart with denser chalk lines he has evoked the motion of the wheel. Gallery label, September 2004