Slag van Israël tegen de Amalekieten. by Abraham de Blois

Slag van Israël tegen de Amalekieten. 1720 - 1728

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drawing, print, ink, pen, engraving

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drawing

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narrative-art

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baroque

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pen drawing

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print

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figuration

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ink

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line

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pen

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history-painting

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academic-art

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engraving

Dimensions: height 357 mm, width 219 mm

Copyright: Rijks Museum: Open Domain

Curator: I am immediately struck by the intense, swirling dynamism of the composition. The line work seems almost feverish, chaotic. Editor: Indeed. What we have here is a pen and ink drawing, with engraving, by Abraham de Blois, dating from 1720 to 1728. Its title translates to "Battle of Israel Against the Amalekites." What visual cues does it trigger in your cultural memory? Curator: Well, the battle itself is a recurring trope—a symbol of cosmic conflict between good and evil, order and chaos. Notice how De Blois orchestrates the lines to convey not just figures in combat, but the overwhelming emotional charge of such a confrontation. See the repetition of forms, creating a feeling of both horror and a certain epic grandeur? Editor: Absolutely. Consider, too, the visual weight of the figures at the top, standing on the mountaintop, removed and observing. This motif appears across cultures—representing the idea of divine judgment, moral oversight. This vantage implies power but perhaps also disengagement from human suffering. Does it perhaps critique leadership or destiny itself? Curator: The academic approach, clearly present in the linear precision of anatomical and drapery studies, is set off perfectly against the Baroque sweep and fervor of its overall narrative. The detail suggests meticulous rendering of elements within a frame dedicated to dramatic tension, if you will. Editor: What strikes me is the endurance of these symbols—battles, divine watchers—in our collective consciousness. They persist not merely as historical records but as vessels for carrying potent, even unsettling emotional realities forward through time. Curator: I appreciate how your insights unveil layers beyond just a stylistic or technical appraisal. These artistic gestures carry embedded symbolic weight. Editor: And in studying this engraving closely, with attention to both formal construction and cultural reference, it compels me to ask how our present might reflect its historical lessons or warnings.

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