Tam with Feathers, Harper's Bazaar 1933

Editor: This is "Tam with Feathers, Harper's Bazaar," a photograph by Toni von Horn from 1933. It features a woman in striking Art Deco style, with a definite air of sophistication. What do you make of it? Curator: The photograph speaks volumes about status and self-presentation. The feathers in the hat, the fur stole, the jewelry, and even the cigarette holder… they are all potent signifiers. It's interesting to see them collected like this, to create such a specific cultural shorthand. Does anything stand out to you about how she's positioned? Editor: Well, she's in profile, almost like a classical sculpture. Curator: Exactly! Her gaze is directed outwards, but not towards us, creating a sense of detachment. And notice the shadows… they almost carve the face. How do you think the artist might use the shadows here? Editor: To make her look… elegant? Maybe a little mysterious. It reminds me of film noir. Curator: You're spot on! Consider this alongside other images of the period, not just in fashion but also in cinema and design. This wasn't just about selling clothes; it was about projecting an image of female empowerment, even while adhering to very specific ideals of beauty. There's a tension there, isn't there? Editor: There definitely is! It is interesting how images can speak on cultural moments. I'm going to look up how it was received back in the '30s and compare it to contemporary opinions!