Vijf fragmenten van sculpturen before 1868

These are five fragments of sculptures, captured by William H. Griggs in a print. The prints are of the remains of the Amaravati Buddhist site in Andhra Pradesh, India, dating back to the 2nd century BCE to 3rd century CE. At the time Griggs captured these images, European colonial powers were expanding their reach across the globe, often leading to the appropriation and re-contextualization of cultural artifacts. Griggs' prints offer a glimpse into the West's fascination with Eastern cultures, while also raising questions about the ethics of representation and cultural ownership. Note the varying levels of detail and preservation in each fragment. What stories might these fragmented remains tell us about the passage of time, the impact of human activity, and the resilience of cultural memory? How do we feel when we encounter something so ancient, so displaced?