Chest with drawers 1675 - 1700

Editor: We're looking at a "Chest with Drawers" from the late 17th century, around 1675-1700, created by Peter Blin. It's currently housed at the Metropolitan Museum of Art. It’s primarily made of wood, with incredible carvings, and some metal elements as well. I’m really struck by the detail and the texture created by the dark wood. What is most striking about the visual composition, in your opinion? Curator: The work exemplifies the Baroque aesthetic through its intricate ornamentation and dynamic interplay of light and shadow. Notice how the craftsman meticulously rendered vegetal patterns in the upper panels. It has a near sculptural presence due to its highly textural carved wooden surfaces. Editor: Absolutely! The high-relief carving is quite prominent. Is there a particular technique from the period that we see employed here? Curator: Indeed. Observe how Blin emphasizes depth by using a range of carving techniques. In terms of Baroque composition, consider the arrangement of the panels and drawers. Do you find a sense of balance or asymmetry? Editor: I see a pretty strict symmetry overall, although each carved panel has its own internal variations. It seems that Blin values symmetry more, which, based on what you are implying, is slightly divergent from the full embracing of dynamism in baroque works. Curator: Precisely. The balance found in its structural form and carved ornamentation generates its undeniable visual impact. Its effectiveness does not rely on cultural narratives but rather formal elements of design, craftsmanship, and execution. Editor: Fascinating! It really opens my eyes to considering design and visual presentation in terms of just pure aesthetic forms. I have much to think about.