Ancient Novgorod (The Saviour Nereditsa) 1935

Nicholas Roerich made this painting of Ancient Novgorod, or The Saviour Nereditsa, we don’t know exactly when, but what strikes me first is the way he uses colour to create atmosphere. The palette is muted, almost monochromatic, evoking a sense of stillness and historical weight. It's the kind of painting where the process feels very present, like you can see the artist making decisions in real-time. The surface has a wonderful texture, not too slick, not too labored. Roerich’s use of thin layers allows the underpainting to peek through, adding depth and complexity. Look at the blues in the sky and dome – they shift and vary, creating a subtle sense of movement. Then see how the white walls of the church are tinged with pink, which makes this monument feel warm and alive. Roerich’s work reminds me a little of Milton Avery, in the way both artists distill landscapes to their essential forms. Ultimately, it is a piece that invites contemplation, reminding us that art is always a conversation across time.