Angel by Angelo Viva

Angel 1750 - 1815

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Dimensions: H. 14 7/8 in. (37.8 cm.)

Copyright: Public Domain

Curator: Today we're looking at "Angel," a sculpture by Angelo Viva, created sometime between 1750 and 1815. The artist has successfully represented this holy being with dynamic realism, enhanced with elegant robes and sash. It's truly breathtaking in its detail and the skillful rendering of the figure’s gesture and the fabrics that enrobe it. Editor: Yes! I noticed immediately how its pose and the flow of the fabric seem to capture movement so gracefully. I find the mixed use of cloth and carved materials creates an impressive textural tension in the work, how do you read this piece? Curator: Formally, the dynamism stems from the careful orchestration of lines and planes. Notice how the diagonal sweep of the yellow sash directly contrasts the cascading folds of the gown. Consider as well the balance achieved between the rigidity of the carved wooden elements—the face and hands—and the pliable quality of the textile. What effect do you believe this creates in the reading of the figure? Editor: I think that the intentionality gives a human quality to it; It provides both a groundedness and ethereal quality to the sculpture! What can we infer about Baroque art just from this sculpture? Curator: It beautifully encapsulates key elements, right? Observe the dramatic tension created through light and shadow, the inherent theatricality, and an emotive expression—all aimed to evoke wonderment. Notice how light would play across the gilded surfaces in its original display context to add dimension and movement, Baroque sculptors would regularly exploit light in such a manner. Editor: That's fascinating. I never considered how integral light is to understanding its composition. It certainly is beautiful, but the form itself tells the entire story about how baroque it is! Curator: Exactly! By attending closely to line, form, texture and composition, the artwork’s intrinsic qualities reveal much about its context and intention. I think we can both agree this sculpture epitomizes the core tenets of Baroque aesthetics through its technical mastery and sheer visual impact.

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