Un Quart d'heure après sa mort il était encore en vie  (A Quarter of an Hour after His Death, He Was Still Alive) by Honoré Daumier

Un Quart d'heure après sa mort il était encore en vie (A Quarter of an Hour after His Death, He Was Still Alive) 1866

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drawing, lithograph, print, ink

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drawing

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ink drawing

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lithograph

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print

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caricature

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ink

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modernism

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realism

Dimensions: sheet: 28.6 × 41.8 cm (11 1/4 × 16 7/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: This is Honoré Daumier's 1866 lithograph, "A Quarter of an Hour After His Death, He Was Still Alive." It's… intense. The figures are so distorted, almost grotesque. There’s a lot happening, and I am not sure of what’s going on. What do you see in this piece, that I'm obviously missing? Curator: You know, it reminds me of dreams after a potent cheese—sharp, slightly absurd, and deeply resonant with *something*. Daumier's capturing the agony of creativity here. See the dying woman draped with the headline: "Letters to the editor.” A quarter hour after their idea dies, it’s still hanging on, refusing to let go. Editor: That banner—"La Presse, One Idea per Day"—it’s hoisted by characters who look less like mourners and more like… caricatures? Curator: Exactly! These figures holding the banner represent the relentless churn of the press. "Confidence, conciseness, Impotence", is the slogan, written as lament on top of them as if they're angels, hovering around a fading light. He mocks the idea factories. Aren't there always vultures circling when inspiration expires? It is pretty grotesque in the face of such sentiment. What emotions come up for you? Editor: Mostly a sense of discomfort. Is that intentional, do you think? Curator: Oh, absolutely! Daumier wants to unsettle us, I feel. Make us question the human cost of pumping out ideas like sausages. What an unusual and affecting point of view. It truly feels like something original. Editor: I get that. So it’s about creative death and the struggle to stay relevant, but conveyed in a way that's intentionally jarring? Curator: Precisely. It's a harsh, but necessary, self awareness in every moment, especially in media culture. One can only be in awe and terrified simultaneously. Editor: That’s incredibly helpful, thank you. I definitely have a richer view of it now. Curator: Me too. What a chilling consideration on what it takes to keep "creating".

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