Ksenija Atanasijević 

Curator: This compelling painting is titled "Ksenija Atanasijević," a portrait executed with oil paints in a distinct, almost hurried impasto style. Editor: The rapid brushstrokes and cool palette create an intense yet introspective mood, almost melancholy. The woman’s dark eyes are captivating. Curator: Considering Petrovic's milieu, it’s intriguing to analyze this portrait through a feminist lens, noting the depiction of intellectual women and their visibility, or lack thereof, in broader societal power structures and artistic representation at the turn of the century. This sitter, Ksenija Atanasijevic, was herself a notable philosopher. Editor: Right, this piece perhaps serves to elevate female intellectualism, but I also can't help but wonder how it challenged—or reinforced—contemporary views on femininity. What was Petrovic trying to say by capturing Ksenija in this way? The sober, dignified gaze seems crucial. Curator: We should consider how art institutions of the period, especially exhibitions and academies, either championed or marginalized women artists and their subjects. It is vital that we do our homework regarding the role women were offered – or seized – at this time. It certainly gives context to Petrovic’s choice to depict a pioneering woman like Ksenija. Editor: Exactly. Thinking about it, the almost rugged brushwork seems to actively avoid idealization, presenting the sitter with an admirable directness and honesty. The style and even the sitter's heavy outerwear could subtly critique societal pressures on women to be delicate and ornamental. Curator: It certainly allows a reading where power and intellect take precedence. By portraying Atanasijevic with such solidity, the painter offers a stark counterpoint to the period’s conventional portrayals of passive, idealized female beauty. Editor: Thank you; that really encourages a new appreciation for the portrait.