A Monk Seated with Arms Outstretched [Study for the Virgin in the _Vision of Blessed Felice da Cantalice_] 1625

Fra Semplice da Verona made this study for the Virgin in the _Vision of Blessed Felice da Cantalice_ with chalk on paper. The drawing presents a figure of a monk, seated with arms outstretched, seemingly suspended in a numinous space. The composition’s power lies in its use of chiaroscuro. Verona uses light and shadow to sculpt the monk’s form, creating a sense of depth and volume. The figure’s robes, rendered in stark contrasts, cascade around him, evoking a sense of dynamism. Note the monk’s hands and feet, which are colored in sanguine. This hue creates a focal point that is further accentuated by the drawing’s limited palette. The very structure of the study—its focus on form and light—speaks to a concern with conveying not just physical likeness but also spiritual presence. In its visual language, the study captures a moment of profound connection between the earthly and the divine. This interplay between form and content offers an insightful look into the intersection of art and religious expression.