When the ice man gets there by Louis Glackens

When the ice man gets there 1906

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drawing, print

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drawing

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print

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caricature

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folk-art

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naive art

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watercolour illustration

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genre-painting

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history-painting

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academic-art

Copyright: Public Domain: Artvee

Curator: Well, if this doesn’t just drip with summer in the city. It's "When the Ice Man Gets There" by Louis Glackens from 1906, looks like a drawing or maybe a print? Instantly makes me sweat just looking at it! Editor: The Devil's clearly in the details... literally! What strikes me is the sharp contrast between the man sweltering in what looks like a fur coat, desperate for a cool drink, and the nonchalant Devil offering a single ice cube. It speaks volumes about desire, doesn't it? And unmet needs, perhaps eternal dissatisfaction? Curator: Eternal is right, because everything about the guy shouts “excess.” Like, dude’s wearing what appears to be a winter coat indoors with chains on his feet... Clearly imprisoned by his own… well, I’m not sure what but it’s clearly by something. And is that a bottle of Tabasco alongside his soda siphon? Ouch. That internal struggle seems real, real painful. And, yeah, Glackens captured all this beautifully in watercolor or colored pencil, and maybe that slight, almost amateur style makes it hit harder somehow. Editor: The choice of the Devil is intriguing; it’s an old symbol for temptation, desire… and ultimate disillusionment. Observe those little imp figures prancing along the edge of the table—each a reminder of hidden chaos simmering beneath the surface. It's about the illusory relief we seek in temporary pleasures, wouldn't you agree? Like that one ice cube against the background of a larger firestorm. Curator: Absolutely! The sweat is visible in that color, in that face; the frustration palpable, that's pure brilliance, if slightly on-the-nose! Also that little title, a little note clipped onto the balding guy’s head as "The Ice Man," almost feels cruel, mocking the source of such simple salvation, now apparently tantalizingly out of reach, for him! Editor: Precisely. It's an emblem of fleeting satisfaction in the face of insatiable want. And Glackens is making a broader commentary about societal excess – how our craving for more leaves us forever thirsty and ultimately enslaved. Think about that chained feet detail again and consider it’s metaphorical intent. Curator: I think you've frozen it in place with this little cultural ice pick! Editor: Shall we say that hopefully, after experiencing our take on it, this old caricature now speaks again, to another new generation of summer sweatings, as vividly as when Glackens made it more than a hundred years ago?

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