Volume a moduli sfasati 1960

Here we have Dadamaino’s "Volume a moduli sfasati", an artwork with a muted palette, featuring pale blues and soft yellows. I imagine Dadamaino, lost in a world of subtle variations, patiently building up the surface, layer by layer. You can almost feel the artist's hand as she applies each stroke, each mark a thoughtful consideration of space and depth. Look closely, and you'll notice the texture, not just the paint itself but the surface underneath. There is a real sense of inquiry. It reminds me of the quiet experimentation of Agnes Martin, but also the repetitive, meditative mark-making of other artists. It’s as if Dadamaino is saying: let’s slow down, let’s look, let’s feel. Artists are constantly talking to each other, across time, inspiring each other's creativity. With this piece, Dadamaino invites us into her world, a world of quiet contemplation, where seeing becomes an act of profound engagement.