The Labors of Hercules: Hercules on the Pyre by Gabriel Salmon

The Labors of Hercules: Hercules on the Pyre c. 1528

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drawing, print, paper, ink, engraving

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drawing

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print

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figuration

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paper

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ink

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history-painting

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northern-renaissance

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engraving

Dimensions: 198 × 147 mm (image/plate); 255 × 173 mm (sheet)

Copyright: Public Domain

This woodcut print by Gabriel Salmon depicts Hercules atop his funeral pyre. Note the flames, the stylized clouds, and the hero's muscular figure, signaling his strength and sacrifice. Hercules' pyre is not merely an end, but a transformative moment, echoed in countless myths of rebirth. Consider the Phoenix, rising from ashes, or the cyclical narratives of death and renewal found in vegetation cults. This imagery taps into a primal human fascination with overcoming mortality. The raised arm of Hercules recalls the "Adlocutio" gesture of Roman emperors, a symbol of power and command. Yet here, it takes on a different tone. It suggests not dominance, but acceptance of fate, resonating with a deep, subconscious understanding of our own mortality. These symbols and gestures are not static; they morph and adapt, reflecting the ever-changing anxieties and aspirations of humanity. The image of Hercules on the pyre, therefore, is not just a depiction of a mythological event, but a timeless representation of the human drama of life, death, and rebirth, recurring again and again in art across the ages.

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