Pa. German Painted Wooden Box by Elmer G. Anderson

Pa. German Painted Wooden Box c. 1937

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drawing, painting, watercolor, wood

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portrait

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drawing

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water colours

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narrative-art

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painting

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figuration

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oil painting

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watercolor

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folk-art

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wood

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regionalism

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watercolor

Dimensions: overall: 46.3 x 36.9 cm (18 1/4 x 14 1/2 in.) Original IAD Object: 11" wide; 15 3/4" long

Copyright: National Gallery of Art: CC0 1.0

Curator: Looking at this object, “Pa. German Painted Wooden Box” from around 1937, I find myself drawn in by the simplicity and charm. The box itself, presumably made of wood, is decorated with paintings in the folk-art style. Editor: There's an intriguing kind of muted vibrancy, don’t you think? Almost as if these designs were whispers from a forgotten era, barely clinging to the surface. The main image has this slightly naive figure, contained within that almost crude oval, that is sort of humorous. Curator: Exactly! This "naivety" is actually quite characteristic of Pennsylvania German folk art. We see in it the transfer of old-world traditions melding with new-world materials and sensibilities. It speaks to the community life of rural Pennsylvania, particularly the perpetuation of these customs in the 20th century, a response to modernization. Editor: It's that dance between holding onto the past and living in the present that's always the most captivating, isn't it? Look at the color palette used here. The reds and browns, like old soil. The way they frame this sort of powdered-wig dandy is delightfully peculiar, and speaks to something more broadly shared than unique. Curator: You know, the floral motifs, seen predominantly in Pennsylvania German art, often carried symbolic weight relating to nature's bounty and familial connections, so you can see how easily they move from surface design to powerful emblem of continuity for families and cultures in diaspora. These were functional items, though, so what does it mean that something domestic is being ornamented like this? Editor: Maybe art-making, for them, wasn’t so radically set apart from the rest of daily life. Decorating the functional blurred those distinctions, transforming a simple container into something of greater communal significance. We keep talking about what it preserves. Maybe it really is trying to. Curator: Perhaps these boxes acted as keepsakes, objects of memory imbued with stories. Today, they’re pieces in our puzzle of history. A fragment hinting at a vibrant community preserving culture as history moves onward. Editor: Looking at it this way, I realize, it isn't just a wooden box; it’s a time capsule of sorts, still whispering tales of lives and landscapes far removed from our own. Thanks for unveiling its stories.

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