Gathering of Ōtsu-e Characters by Shibata Zeshin

Gathering of Ōtsu-e Characters c. 19th century

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drawing, print, ink

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drawing

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ink drawing

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narrative-art

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ink painting

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print

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ukiyo-e

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japan

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figuration

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ink

Dimensions: 7 3/4 x 17 7/16 in. (19.7 x 44.3 cm) (image, sheet)

Copyright: Public Domain

Shibata Zeshin created this print called "Gathering of Ōtsu-e Characters" at an unknown date. It depicts a gathering of folk-art characters, connecting the high art world of printmaking with popular culture. Ōtsu-e were mass-produced, inexpensive paintings sold as souvenirs and charms to travelers in the Edo period in Japan. Often crudely executed, they depicted Buddhist figures, legendary characters, and animals, sometimes with satirical or moralizing undertones. Zeshin, trained in traditional painting, was fascinated by these humble images. In this print, he elevates the Ōtsu-e characters, gathering them in a playful composition that blurs the lines between high and low art. Understanding this print requires some exploration of the social hierarchy in the Edo period, the rise of a merchant class with disposable income for travel and souvenirs, and the complex relationship between folk art and the established art world. By researching these histories, we can begin to understand how an artist like Zeshin challenged artistic and social norms in Japan.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Simple paintings produced by anonymous artists in Ōmi province (today's Shiga Prefecture) came to be called Ōtsu-e because they were sold in and around the town of Ōtsu. The earthy humor represented in them appealed to a wide variety of people and by the 18th century, many artists adapted Ōtsu-e subjects to their works. Zeshin, here depicted ten Ōtsu-e characters (typically shown individually) gathering near a temple bell. The bell relates to a story about the great warrior Benkei of Enryakuji temple who stole the bell from the neighboring temple of Miidera. After single-handedly carrying the bell back to Enryakuji, Benkei was angered when it refused to ring. He threw it down the mountain and it rolled back to its home temple of Miidera. In this composition, Benkei is the grimacing warrior shown above Zeshin's signature. This print shows a rare printing flaw. The block for the pink pigment was printed upside-down, causing pink areas to occur where they should not be.

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