Fotoreproductie van (vermoedelijk) een daguerreotypie, voorstellende een dubbelportret van een onbekend echtpaar by Ludvig Kicer

Fotoreproductie van (vermoedelijk) een daguerreotypie, voorstellende een dubbelportret van een onbekend echtpaar c. 1880 - 1900

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photography, gelatin-silver-print

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portrait

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photography

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historical photography

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gelatin-silver-print

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history-painting

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realism

Dimensions: height 140 mm, width 105 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a gelatin-silver print, most likely a reproduction of an even earlier daguerreotype, showing a double portrait of an unknown couple. It was created sometime between 1880 and 1900 by Ludvig Kicer. There's such a gravity to their faces, a quiet dignity. What strikes you most when you look at this piece? Curator: It whispers stories, doesn’t it? To me, it's a study in contrasts. Look at how their hands are clasped – a sweet, tangible symbol of their bond. But then consider their expressions, almost stoic, holding a lifetime of unspoken words, like peering into their innermost sanctums. And what do you think about the backdrop? Editor: I hadn't thought about the backdrop too much – it sort of fades into the background...literally! Should I be paying closer attention to that? Curator: Perhaps not 'should', but 'could'. Consider how little control they had over the final product. The photographer staged the scene and its elements. Notice how the elaborate frame enhances the sense of preciousness, of an image carefully made for posterity. And this, even as the image tries to reach out to us with direct, honest realism. A paradox! What do you think their story is? Editor: I'm just projecting, but maybe a young couple? Ready to face the world? There is something beautiful in their hands together that gets to me. Curator: I'd like to think that there were, or perhaps weren't... but such photos give an insight into lives past, but lives which still existed. Every click of a camera means a memory of our ancestors and others. That's where my interest remains, no matter the subject. I really love finding old photographs because they can tell a million tales! Editor: That's such a powerful perspective! Thanks, this was insightful.

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