Two Geisha Struggling for a Letter (Fumi no arasoi), from the series "Flowers of Nakasu (Nakasu no hana)" by Torii Kiyonaga

Two Geisha Struggling for a Letter (Fumi no arasoi), from the series "Flowers of Nakasu (Nakasu no hana)" c. 1781

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print

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print

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asian-art

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japan

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personal sketchbook

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illustrative and welcoming imagery

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wedding around the world

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illustrative and welcoming

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sketchbook drawing

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watercolour bleed

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watercolour illustration

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storyboard and sketchbook work

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cartoon carciture

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sketchbook art

Dimensions: 25.7 × 18.8 cm

Copyright: Public Domain

Curator: Right, let's look closer at this print: "Two Geisha Struggling for a Letter (Fumi no arasoi), from the series Flowers of Nakasu" by Torii Kiyonaga, circa 1781. Editor: Oh, how wonderfully intimate! It's so subtly playful – like witnessing a very delicate power struggle unfold. There's a tension there, isn't there? Not quite aggressive, more... insistent. Curator: Precisely! Kiyonaga excels at depicting human interaction with such nuance. We're peering into a fleeting moment in the lives of these women from the Nakasu district, known for its pleasure quarters. Editor: It’s about the power dynamics embedded in even seemingly trivial exchanges, isn’t it? This piece touches on themes of consent and agency, filtered through the expectations placed on women of that era and profession. Curator: You're spot on. The geisha weren't just pretty faces; they were entertainers, artists, and often, savvy businesswomen navigating a complex social landscape. This "struggle" is almost theatrical, a dance. Notice the compositional balance: one geisha almost floating above, watching, detached maybe. Editor: Yes, like an observer of the drama below. The details too; those geometric patterns of their robes hint at structure and artifice – the constructed nature of their identities, perhaps? Curator: I think so. And those lanterns with Japanese calligraphy that appear above lend the piece another layer of aesthetic harmony. Editor: The print itself challenges any romantic notion of these women as purely decorative objects. It demands we question the narratives projected onto them, consider the social, economic and sexual pressures they experienced daily. It suggests lives much richer and more turbulent than we might assume. Curator: Ultimately, this piece invites us to empathize, to see the subjects' interiority beyond just how they’re framed. It reminds us there’s so much to learn, unlearn, and reimagine about the past. Editor: It makes you wonder, doesn't it? It challenges me to consider the hidden stories within those captivating but enigmatic smiles.

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