Pellets from Shotgun n.d.

Curator: Edgerton’s "Pellets from Shotgun" captures a fleeting moment—it’s almost ghostly, like an X-ray of potential violence suspended in time. Editor: Absolutely. The image invokes so much, even though it seems so simple. The work feels like a meditation on power, on the physics of force, on the ways that violence is always already present. Curator: I think it’s interesting how a purely scientific investigation can be so evocative, almost accidental. It reminds us that even in the pursuit of knowledge, there's always something unexpected that can surface. Editor: And that pursuit is never neutral. It’s entangled with histories, with cultural anxieties, with political agendas. A photograph like this allows us to consider those entanglements in stark terms. Curator: Agreed. It’s funny, I came in thinking about high-speed photography and physics, and I'm leaving thinking about power. Editor: Well, that's the best kind of art, right? It moves us in unexpected ways.