Paule Gobillard by Berthe Morisot

Paule Gobillard 1887

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berthemorisot

Musée Marmottan Monet, Paris, France

painting, oil-paint

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portrait

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acrylic

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painting

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impressionism

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oil-paint

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figuration

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oil painting

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france

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painterly

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painting painterly

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lady

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female-portraits

Dimensions: 94 x 86 cm

Copyright: Public domain

Curator: What strikes you about this painting, Berthe Morisot's "Paule Gobillard" from 1887, currently housed at the Musée Marmottan Monet? Editor: An air of quiet industry. She seems entirely absorbed, doesn't she? The canvas itself almost vibrates with suppressed energy, despite the muted palette. Curator: The painting deploys a masterful use of broken brushstrokes, typical of Impressionism, which create a sense of light and movement. Observe how Morisot structures the composition, building depth through a series of planes – the sitter, the still life to the left, and the hazy background. Editor: And that statue! Its presence introduces a subtle commentary on artistic lineage, wouldn't you agree? Gobillard’s activity echos the history of sculpture. Plus, in the nineteenth century, it suggests respectability for a woman engaged in such an activity. Painting wasn't always seen as suitable, was it? Curator: Indeed. It offers a counterpoint to the flowing brushstrokes, introducing a note of classical order and perhaps, aspiration. There’s also a dialogue between the statue's coldness and the warm blush of the young woman's skin and clothing. Editor: The overall impression is one of a world both intimately feminine and intensely focused. Consider also the weight of blue here. While it adds a somber, serious dimension to the painting, it also historically symbolized wealth and piety in artwork; maybe Morisot sought to portray Gobillard with these qualities. Curator: An intriguing proposition. From a formalist perspective, blue unifies the canvas, subtly harmonizing diverse textures. Note the contrast of hard vs. soft; and how Morisot invites viewers to focus closely on how vision and experience interrelate to paint handling and composition. Editor: Ultimately, I'm drawn to the sense of burgeoning talent captured in that quiet intensity. It resonates even now. Curator: An elegant point on which to conclude. Morisot masterfully integrates observation with a uniquely expressive painterly touch, capturing a fleeting moment, while hinting at longer, evolving historical meanings.

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