Illustration LXVIII c. 16th century

Curator: This is Illustration LXVIII from an unknown artist, housed here at the Harvard Art Museums. Editor: It feels so busy, almost chaotic, but in a celebratory way. Lots of figures crammed into a small space. Curator: Yes, it's a woodcut, which accounts for the dense composition and strong contrast. The scene depicts Dido and Aeneas at their famous banquet. Editor: Ah, I see the banners identifying the characters. But what’s striking is the mix of grandeur and... awkwardness. The figures seem stiff, almost puppet-like. Curator: That's characteristic of the era. Woodcuts were often used for didactic purposes. The image aims to convey the story rather than realistic representation. The context, likely illustrating a printed book, informs its creation. Editor: Still, the symbolism is potent. This gathering, this union, is inherently political, setting the stage for both alliance and betrayal. Curator: Absolutely. Seeing it through the lens of power dynamics adds another layer. Editor: It makes one consider the image’s purpose in shaping perceptions of leadership and relationships in its time. Curator: Indeed, a single image can hold so much history. Editor: And prompt so much reflection on how stories of power still resonate.