Halvtliggende model på høj plint med pude. Set fra ryggen. Benene nedhængende over plinten 1778 - 1809

This drawing of a reclining nude model was made anonymously, using chalk on paper. The artist skillfully used the chalk to capture the texture of the model's skin and the softness of the pillow. The choice of materials – chalk and paper – speaks to the artist's process and the social context in which the work was created. Chalk is a readily available material that allows for quick, expressive marks, while paper serves as an affordable and portable surface. This suggests a focus on direct observation and the immediacy of capturing the human form. The drawing's monochromatic palette further emphasizes the artist's attention to form and light, allowing them to explore the subtle nuances of the model's body. The labor involved in creating this drawing is evident in the careful attention to detail, the rendering of light and shadow, and the overall sense of realism. Ultimately, this drawing serves as a reminder that the materials, making process, and historical context are crucial in understanding the full meaning and significance of an artwork.