Albumblad met voorstelling van Hendrik van Leuven die zijn tanden in de Nederlandse vlag zet by Alexander Cranendoncq

Albumblad met voorstelling van Hendrik van Leuven die zijn tanden in de Nederlandse vlag zet 1809 - 1869

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drawing, paper, pencil, pen

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drawing

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aged paper

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toned paper

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quirky sketch

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narrative-art

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sketch book

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landscape

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figuration

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paper

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personal sketchbook

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sketchwork

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romanticism

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pencil

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pen and pencil

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line

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sketchbook drawing

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pen

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cityscape

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history-painting

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storyboard and sketchbook work

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sketchbook art

Dimensions: height 400 mm, width 336 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have *Albumblad met voorstelling van Hendrik van Leuven die zijn tanden in de Nederlandse vlag zet*, a pen and pencil drawing from between 1809 and 1869. It's... certainly a choice! What do you make of this rather intense image? Curator: Well, it immediately strikes me as a piece wrestling with themes of nationalism and resistance, but from a… complicated perspective, wouldn't you agree? How does the act of literally biting the flag resonate with you, given the historical context of Dutch identity in that period? Editor: It seems pretty aggressive. Like a total rejection. But why? Was this a common sentiment? Curator: Perhaps not "common," but certainly present. Consider the shifting political landscape of the 19th century. Who do you think might have felt alienated or disenfranchised enough to express such defiance against national symbols? Was everyone benefitting from the nation state? Editor: Maybe someone who felt excluded or oppressed by the dominant power structure? Someone from a marginalized community, perhaps? Curator: Precisely! It urges us to question whose voices are amplified in historical narratives and whose are silenced or demonized. The roughness of the sketch only strengthens the rebellious spirit of the depicted. Editor: It makes you wonder about all the untold stories lurking beneath the surface of grand narratives. I had just thought of it as some kind of quirky, rebellious statement but now I realize there are real people connected with these symbolic gestures. Curator: Exactly! And by examining those connections, we can begin to unravel the complex interplay between individual agency and collective identity formation. Editor: That is really interesting. I will definitely consider the political background more carefully next time. Thank you!

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