drawing, lithograph, print, paper
drawing
lithograph
landscape
figuration
paper
romanticism
genre-painting
Dimensions: 223 × 305 mm (image); 237.5 × 323 mm (chine); 290 × 420 mm (sheet)
Copyright: Public Domain
Curator: This lithograph is titled *Wagon Ascending a Slope*, created by Théodore Géricault in 1823. The scene takes place in winter, with horses pulling a wagon up a snow-covered incline. The original is housed right here at The Art Institute of Chicago. Editor: The immediate impact is one of struggle, I think. The grey tones evoke a bleak and heavy atmosphere, almost like looking at a winter’s tale of labor, resistance, and determination etched on stone. Curator: That sense of struggle certainly echoes Géricault's interest in human and animal drama. Note the visible effort of the team of horses as they strain against the wagon's weight. This echoes Géricault's own romantic sentiment, with echoes of contemporary hardships and the working classes. Editor: And yet, the composition draws your eye in such a considered way. The fence in the foreground leads us directly into the heart of the piece, focusing our attention on the laborious movement as it unfolds into the snowy vista. It's masterful how the diagonal slope enhances that feeling of strain and difficulty. Curator: The scene might evoke memories of long winters endured across the ages. There's something so primal about that team effort against the landscape that has an archetypal pull. We're reminded of our own shared history. Editor: Agreed. But there's also something profoundly unsettling in the lack of color, and the raw strokes composing the bodies of these animals. It emphasizes that labor is exhausting. Curator: Perhaps it is this capacity of landscape both to define, and dwarf humanity that he is seeking to impart. And it's particularly potent as a lithograph, emphasizing the starkness of winter's touch upon all things. Editor: Yes, I concur; it underscores an existential battle – one forged out of structure and resistance – between humanity's will and nature's immutable challenge. It’s really a work of striking compositional intelligence and socio-cultural resonance. Curator: I couldn't have put it better myself. It's a small artwork in physical size that invites much pondering and speculation.
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