Portret van Armand Gaston Maximilien de Rohan 1660 - 1715

This is Nicolas Habert's portrait of Armand Gaston Maximilien de Rohan. This print captures the bishop in an oval frame with an inscription, presenting him as a figure of both religious and noble stature. Note how the composition emphasizes the texture of the fabrics, contrasting with the smooth skin tones of the face. The artist's detailed engraving creates tonal variety within a limited palette, adding depth and complexity to the image. The oval frame disrupts the conventional square format, adding an illusionistic effect. The use of formal elements such as line and texture elevates the status of the sitter while simultaneously presenting a carefully constructed image that engages with the interplay between appearance and identity. Consider, too, how this portrait's formal qualities invite us to contemplate the relationship between artistic representation and social status.