Vue du Schildwald-Bach prise en hiver by Charles Melchior Descourtis

Vue du Schildwald-Bach prise en hiver 1785

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Dimensions: Image: 12 13/16 in. × 9 in. (32.6 × 22.9 cm) Sheet: 16 15/16 × 10 3/4 in. (43 × 27.3 cm)

Copyright: Public Domain

Curator: This drawing, entitled "Vue du Schildwald-Bach prise en hiver," was created in 1785 by Charles Melchior Descourtis. He employed a combination of tempera, watercolor, and print techniques to bring this landscape to life, which now resides here at the Metropolitan Museum. Editor: Stark! It’s so… imposing, really. The composition draws your eye immediately upwards, overwhelmed by the scale of the cliffs, and the subdued palette makes it feel quite desolate. Curator: I find the Romantic sensibilities very striking here, in terms of historical context. The grandeur of nature becomes almost a spiritual encounter, wouldn't you agree? Observe how tiny the figures are near the lower corner compared to the towering rock. This contrast was emblematic of its period. Editor: It absolutely captures that spirit of awe – and also that slight sense of terror when faced with nature’s raw power. There is something political in all landscape art as well. The image’s dedication “to M. Van der Goes, envoy extraordinaire of his Majesty, the King of Denmark”, elevates the social meaning of this private scene. The printing and multiple medium production implies wider access. Curator: Yes, the image almost seems intended as a demonstration of sovereignty or at least a symbolic representation of power relations through landscape. Beyond that, notice the interesting choices in the color. The blues and whites used by Descourtis could signal emotional depths. The cool palette contributes to an overall feeling of somber reflection. Editor: Right, a curated experience, as it were. And I am sure that, at the time, even the idea of representing a seemingly wild space was, itself, charged with political and social intention. It makes you wonder about how images such as this shaped ideas about landscape and ownership at the time. Curator: Precisely! This combination of medium with such symbolic context makes for a unique study in cultural memory. Editor: Definitely, thank you for drawing out all these interesting layers for me.

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