Aanspreker after 1803

Editor: So this watercolour illustration, titled "Aanspreker," created after 1803 by J. Enklaar, seems to depict a rather agitated man doffing his hat before a woman. The scene almost feels staged, theatrical even. What historical narrative do you see unfolding in this piece? Curator: It's crucial to consider the figure of the 'aanspreker' within the social fabric of the time. This figure was essentially a death messenger. How does Enklaar depict the anxieties and rituals surrounding mortality? Do we get any sense of the emotional climate surrounding death? The setting of what may be an Inn – judging from the ‘Vry Wyn’ sign – suggests a place where communal life intersects with news, both joyous and sorrowful. How does this affect your interpretation of this painting? Editor: I didn't realize the "aanspreker" had such a specific role! Seeing the sign ‘Vry Wyn,’ knowing it signifies 'free wine', makes me interpret his posture as somewhat sheepish and hers almost defiant. Maybe he interrupted something important? Curator: Exactly. And consider the public role of art during this era. Was Enklaar's intent to document a social custom or to offer a commentary on death and social classes, by placing the scene at a tavern? Perhaps he meant to depict societal reaction and attitude towards death through the theatrical illustration you mention? Editor: That reframing makes me reconsider the woman's reaction. Now it feels less like anger, more like weary resignation. Learning about the 'aanspreker' brings such depth. Curator: Indeed. This highlights how our understanding is so enriched by exploring the societal function of figures within visual representations and imagery.