Departure for the Ball c. 19th century

Editor: This is Paul Gavarni's "Departure for the Ball." It looks like an ink drawing. I'm struck by the contrast between the detailed clothing and the sketchiness of the background. What catches your eye? Curator: I observe the linear precision, the distinct hatching that models the forms. Consider the use of line to define texture, from the woman's dress to the man's coat. How does this precise mark-making inform your understanding of the subjects' social standing? Editor: I hadn't thought about that! It makes the figures seem more refined, almost aristocratic. Thank you for pointing that out. Curator: Indeed. It is through such visual language that Gavarni communicates societal nuances, isn't it?