Officer, Louisville Legion, Kentucky, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Officer, Louisville Legion, Kentucky, from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888

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drawing, print

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portrait

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drawing

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print

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caricature

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caricature

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men

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genre-painting

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academic-art

Dimensions: Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)

Copyright: Public Domain

Curator: Here we have "Officer, Louisville Legion, Kentucky," a print produced by the Kinney Tobacco Company around 1888. The artwork served as a promotional item included with Sweet Caporal Cigarettes. Editor: Well, the most immediate thing is that there is a clear aspiration to project some sort of "heroic masculinity" – the feathered helmet, the bristling mustache... almost comically overt. Curator: Exactly. These cards, small as they are, offer insight into late 19th-century advertising and consumer culture. They mass-produced imagery tied to leisure and aspiration, distributed with everyday commodities. Editor: The uniform itself becomes a powerful symbol here, less about genuine military identity and more about the idealized, romanticized version of soldiery that was being sold. Think of how war imagery shifted post-Civil War. Curator: The printing process, likely lithography, is crucial. These weren't unique works of art, but widely circulated images, intended for collecting and trading. They contributed to the visual landscape of the time. Editor: It's the helmet crest, a stylized eagle or perhaps some sort of symbolic griffin, perched atop what's clearly meant to evoke classical Greco-Roman headgear... that's where it gets interesting. What cultural narratives are they trying to tap into with that strange blending of visual tropes? Curator: Kinney Brothers sought to associate their brand with qualities like strength, tradition, and perhaps even a little bit of rebellious spirit – it's all marketing, creating value beyond the tobacco itself. Consider the working conditions within tobacco production. This image offers stark contrast with the exploitative labor involved in producing the cigarettes it promoted. Editor: And it’s no accident that they depict a military figure during a time of peace and nation-building. It implies order, progress, but also the subtle threat of power. All packaged up in a neatly produced collectible. Curator: It highlights the power of image circulation and how materials like a simple printed card can be powerful transmitters of culture, values and economic narratives. Editor: Indeed, it invites us to consider how images construct desire and identity in everyday life. Fascinating how much meaning is concentrated within such a small, unassuming form.

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