Nude study to the figure of St. Matthias to the painting ‘Martyrdom of St. Matthias’ 1866 - 1867

Editor: This is Józef Simmler's nude study for the figure of St. Matthias, created around 1866-1867 using pencil. The figure’s pose and upward gaze immediately convey a sense of suffering or religious ecstasy. What formal elements stand out to you in this study? Curator: Certainly. Focusing on form, the stark contrast between the defined lines of the figure and the sketchy background creates an interesting visual hierarchy. Note the artist’s strategic use of chiaroscuro, achieved solely through pencil shading, which sculpts the body and emphasizes the musculature. Observe how the preliminary arm sketches suggest movement, contrasting with the stability implied by the kneeling position. How do these features guide our perception of the depicted figure? Editor: The contrast you mentioned really does draw my eye to the contours of the body. I'm curious, is there anything notable in the choice of using pencil as a medium? Curator: The medium is paramount. Pencil, with its capacity for delicate gradations and swift corrections, perfectly serves Simmler’s purpose as a preparatory sketch. Consider the inherent linearity and monochromatic nature. The absence of color forces us to engage with the form’s volume and the nuances of tonal value. Does this subtractive process affect our perception of depth? Editor: I see what you mean, it almost feels more raw and immediate because of the lack of color. It highlights the artist’s process. I learned so much from examining Simmler’s study today. Thank you! Curator: Indeed, contemplating these formal qualities unveils a rich layering within the artist's approach. Thank you.