Portret van Anne Bastard 1742 - 1765

Editor: So, this is "Portret van Anne Bastard," a print from somewhere between 1742 and 1765, made with etching and engraving techniques by James McArdell. It has this contained, almost wistful air to it, but the ruffles and adornments hint at a vibrant personality. How do you see this work, looking at it through the eyes of its time? Curator: Ah, Anne Bastard. I imagine her with a sly wit and a collection of very fine china. But look beyond the surface for a moment. Prints like these were the social media of the 18th century. They disseminated images of the fashionable and famous, creating a buzz, wouldn't you say? Now, what kind of statement would someone be making with such portrait in their possession? Editor: That's a neat way of putting it! It makes you wonder who was 'liking' and sharing in those days! The statement…maybe it was a mark of aspiration, a desire to align oneself with that elegance and status? Curator: Precisely! It's about capturing that world. Now, let’s look at her gaze… See how it subtly avoids direct contact, that air of controlled grace? Editor: Now that you point it out, there is an almost deliberate detachment. A very intriguing expression to display for posterity! So, it is the 'look, but don't touch' aesthetic of celebrity? Curator: Yes! Although maybe in this case it is look and learn! And what about the craftsmanship, all those delicate lines rendered in print form? Consider the artistry involved in translating oil paint to etched line! Editor: It really does showcase skill doesn’t it, especially in creating those textures? It feels like I’m seeing this artwork in a whole new light now! Curator: Isn’t that what it’s all about? To have your perspective gently tugged?