Dimensions: height 145 mm, width 205 mm
Copyright: Rijks Museum: Open Domain
Curator: Looking at this artwork, made in 1816 by Jean Bernard and held at the Rijksmuseum, titled “Twee bij elkaar staande paarden,” or “Two Horses Standing Together,” what strikes you initially? Editor: The quiet tenderness, almost like they're whispering secrets to each other through their manes. And the minimal lines… it's like he caught them in a moment, barely there, a breath. Curator: The artwork certainly carries that quiet quality. It’s interesting to see how such a seemingly simple sketch speaks volumes. Pencil drawings such as this gained prominence through their ability to capture spontaneous impressions, circulating within artistic circles to display and develop certain sensibilities. Editor: Sensibilities… exactly. I bet Bernard spent hours just watching horses before he drew this. He got their weight, how they lean on each other. You know, it feels almost private, like we’re not supposed to be looking. Makes you wonder about the relationship between these animals—and between the artist and his subject, right? Curator: Absolutely, and these “private” sketches often become the basis of more monumental, public-facing history paintings or equestrian portraits commissioned by the upper classes at this time. Pencil drawings offered an immediacy and directness that other mediums didn’t afford. The circulation of these drawings was as much about artistic training, skill, and study as it was about capturing emotions. Editor: So even these “quick” sketches held some level of power, they showed someone’s ability, and that resonated publicly in different circles. Funny, isn’t it? This whisper of a drawing actually shouts quite a bit about status. But still, I am struck most by the fact that each line conveys a world of information with amazing economy. Curator: The pencil work manages to deliver the realism desired, whilst leaving space for individual style to be expressed. Now when I look at this drawing again, I better appreciate the artistic forces involved. Editor: Same here! Now I see the social echo hidden behind these two gentle giants, a delicate artwork with a louder historic story!
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