Hand mirror with woman in blue floral hat, from the Novelties series (N122) issued by Gail & Ax Tobacco to promote Navy Long Cut 1889
drawing, print, watercolor
portrait
gouache
drawing
figuration
watercolor
watercolour illustration
watercolor
Dimensions: Sheet: 4 3/16 × 2 1/4 in. (10.6 × 5.7 cm)
Copyright: Public Domain
Editor: This is "Hand mirror with woman in blue floral hat" from 1889. It's a promotional print, a Novelty series (N122), made by Gail & Ax Tobacco. I am interested in the artist’s attention to the overall ornamentation. What aspects of its visual structure are most important to consider? Curator: Focus, please, on the internal logic of the composition itself, first observing the form of the ornate, oval frame around the subject, juxtaposed with the simple handle decorated with precious stones. These elements contain the subject, a woman in profile view with an elaborate floral hat, that serve a pictorial function. Do you see how these components converge? Editor: Yes, I understand, the hat guides my gaze from the top of the image and connects directly to the figure. Do you think the watercolor has some sort of texture due to the type of application, the layering effect perhaps? Curator: Observe the artist’s intentional flattening of the picture plane. The composition has a limited illusion of depth due to the medium used to define texture and pattern, which undermines a traditional perspectival view. How does that tension affect your viewing? Editor: The surface qualities you described invite the eye to examine the interplay between the depicted subject and the hand mirror. But can the composition function independently of its utilitarian and commercial origins? Curator: Precisely, such binaries collapse through compositional strategies. This piece exemplifies formal elements coming together to achieve visual balance, a crucial objective for assessing the picture’s internal relationships and visual effects. I believe it provides the observer with a deeper engagement with purely aesthetic parameters, wouldn't you agree? Editor: I am glad to discuss how these specific techniques used impact perception. Thanks for showing me the pictorial components, rather than focusing only on history.
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