Bando Jusaburo in the role of Seigoro 1928

This is Natori Shunsen’s woodblock print of Bando Jusaburo as Seigoro. Shunsen created this print during a time when Japanese printmaking was undergoing a revival, moving beyond traditional landscapes to focus on individual portraits, particularly of Kabuki actors. Here, Bando Jusaburo embodies Seigoro, his face caught in a moment of reflection. Kabuki, as a theatrical form, often explores themes of identity, duty, and desire, reflecting the complex social dynamics of its time. Bando Jusaburo’s own identity as a performer is interesting. How does he embody the role of Seigoro? Shunsen captures more than just a likeness; he conveys the emotional depth and cultural weight of the character. Look at the tension in his jaw and the set of his eyes. The print serves as a cultural artifact, preserving the likeness of a celebrated actor in a role that likely resonated deeply with audiences of the time. This piece invites us to reflect on the ways in which performance can challenge and reinforce societal norms.