Lijkstatie van Willem IV, 1752, plaat 21 by Jan Punt

Lijkstatie van Willem IV, 1752, plaat 21 1753 - 1755

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print, engraving

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narrative-art

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baroque

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print

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figuration

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line

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history-painting

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academic-art

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engraving

Dimensions: height 270 mm, width 560 mm

Copyright: Rijks Museum: Open Domain

Editor: So this is plate 21 from "Lijkstatie van Willem IV, 1752," made sometime between 1753 and 1755 by Jan Punt. It's an engraving and shows what looks like a funeral procession. The figures are so carefully rendered. How does this elaborate ceremony reflect the times? Curator: It’s fascinating how such a meticulously detailed print gives us access to the performance of power and grief in the 18th century. It really speaks to the role of public spectacle in legitimizing authority, doesn’t it? Editor: Absolutely. The procession looks very carefully staged, I would almost say cinematic in presentation, in the context of its own era. Almost like…propaganda? Curator: Propaganda isn't too strong of a word here, considering the delicate political landscape of the time. The House of Orange needed to maintain a strong image. This elaborate display was a powerful visual message meant to cement their dynasty’s legitimacy and evoke public support after Willem IV's death. Look at how Willem’s regalia is featured so prominently. Editor: Now that you point it out, there seems to be an effort to craft an image of stability and continuity in times of succession and perhaps unrest? What role would engravings such as this have in shaping collective memory? Curator: Engravings such as these allowed for widespread distribution, far beyond those who actually witnessed the procession. They played a crucial role in solidifying a particular narrative of Willem IV's reign, ensuring that the House of Orange remained central to Dutch national identity. What did you notice in how the people react? Are their emotion visible in this medium? Editor: Not really. If it wasn’t for the title, I wouldn’t realize this was a funeral at all! It’s incredibly interesting to think about this as visual rhetoric, meant to create a very specific reaction. Thank you! Curator: Indeed! This engraving offers us invaluable insight into the complex interplay between art, power, and public perception in the Dutch Golden Age and its afterlife.

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