Dimensions: support: 730 x 437 mm frame: 922 x 618 x 48 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Joanna Mary Wells painted this "Gretchen," now residing at the Tate Britain. It’s a poignant portrayal, but what stands out to you upon first viewing? Editor: There's an ethereal quality here; the long flowing hair, the muted palette. It evokes a certain melancholy, don't you think? Curator: Absolutely. The subject, likely referencing Goethe's tragic character, lends itself to such emotional readings. Wells was working within a Pre-Raphaelite context, a movement known for its literary and moral themes. Editor: The Pre-Raphaelites were definitely focused on narrative, but Wells' handling of light and shadow is masterful. The way the light catches the hair is striking and lends a sculptural quality to the figure. Curator: Indeed. "Gretchen" reflects the artistic dialogues of the Victorian era and a female artist’s engagement with literary tropes of the time. Editor: I agree. Looking at it formally, the composition certainly resonates and elevates the theme beyond simple illustration. Curator: It is in its own way a very compelling and somewhat somber artwork. Editor: Yes, a beautiful study in tone and emotional register.
http://www.tate.org.uk/art/artworks/wells-gretchen-n03814
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This picture alludes to a central scene in Faust, the tragic play published by German writer Johann Wolfgang von Goethe in the early 19th century. In the play, Gretchen, confused, seduced and pregnant by Faust, seeks solace in church. The sitter for the work was probably Wells’s nursery maid. Women artists had limited access to models at the time. Joanna Wells (née Boyce) had established a reputation during the 1850s as a painter of portraits, genre and landscape. She also wrote art reviews for the Saturday Review. Her career ended prematurely at the age of thirty. Wells herself was pregnant when she began this painting. She died shortly after the birth and the picture was left unfinished. Gallery label, December 2020