Fringe by Anonymous

Fringe c. 20th century

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fibre-art, textile

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natural stone pattern

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fibre-art

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textile

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geometric pattern

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abstract pattern

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organic pattern

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repetition of pattern

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intricate pattern

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pattern repetition

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decorative-art

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layered pattern

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combined pattern

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repetitive pattern

Dimensions: 53 1/2 x 5 x 1 in. (135.89 x 12.7 x 2.54 cm)

Copyright: Public Domain

Curator: Let's turn our attention to "Fringe," a textile work believed to be from the 20th century, housed right here at the Minneapolis Institute of Art. Editor: Immediately, I’m drawn to its texture. The interplay of light on those beads creates a dynamic surface—a shimmering rhythm of dark and light. Curator: Indeed. Consider the labor involved in its construction, likely intended as an embellishment. These textiles and adornments, initially handmade, reveal much about the artisans and the value systems embedded in everyday objects. The process and materials suggest a significant investment of time and skill. Editor: From a purely formal standpoint, the repetition establishes a strong horizontal axis, visually anchoring the piece. The color palette, while subtle, presents nuanced tonal shifts that hold the viewer’s eye. What is its intended function, purely decorative? Curator: Potentially functional and aesthetic. Think about its use. Did it adorn clothing? Perhaps a curtain? Its context illuminates not only the maker's skill but also aspects of social status, the economy, and prevailing aesthetic tastes, reflecting on consumption habits as well. Editor: Interesting. For me, it's more about the rhythm, the pure aesthetics. See how the beads, seemingly identical, are in fact slightly varied in placement, creating visual interest? Curator: Of course, and such variations only emphasize the hand-made aspect. Imperfections, if we may call them that, attest to human labor and decision-making within specific workshop economies. Editor: You know, it has a lovely antique, old-fashioned feel in the sense that the creator took considerable care when creating. The fringe gives the impression that, given its golden yellow/brown tint, the fringe must be incredibly soft. Curator: Well, looking at it from these angles has given me much to consider. Its ability to suggest larger economic networks through one delicate work is simply staggering. Editor: Yes. I'm taking away from this its formal balance, delicate structure and the tactile sensation implied by its materiality. Thank you!

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