drawing, pencil
portrait
pencil drawn
drawing
neoclacissism
pencil sketch
light coloured
charcoal drawing
pencil drawing
pencil
pencil work
Dimensions: height 69 mm, width 55 mm
Copyright: Rijks Museum: Open Domain
Curator: Well, hello there. Looking at this delicate rendering, what’s your immediate take? It's entitled "Vrouw met hond" by Jan Chalon, from 1802. A rather charming sketch, wouldn't you say? Editor: Oh, it is, rather! I find myself strangely drawn to her... slightly melancholic expression? Like she knows something I don’t about 1802! Curator: Perhaps! But let’s consider the material reality: This is pencil on paper, an accessible and portable medium even then. Think about that; this could have been produced virtually anywhere with minimal tools. The availability of drawing materials allows a professional such as Chalon, to take on clients seeking portraiture services at many budget levels, depending on how detailed they might prefer. Editor: Ah, the economics of art! Interesting... But you can't deny the sheer humanity captured here. Look at the way he renders the light catching her face and the dog is more of an implied form... soft charcoal nuances around its nose! Almost ephemeral, as if about to disappear...It hints at deeper emotions. Curator: Indeed. But consider the socio-political context; Neoclassicism reigned, emphasizing reason and order. Pencil drawing, while intimate, was a tool to create portraits which served specific political purposes by commemorating members of the ruling class or landed gentry... How does Chalon's sketch align with that? Editor: Hmmm... It's far from heroic or propagandistic. More private, domestic... almost an anti-heroic image? The woman isn’t striking a pose; she's merely... there, with her dog. Curator: Perhaps the availability of "lower" grade works kept the artist busy. Still, this work provides a sense of access into a real social setting for everyday citizens of that time. A contrast of available subjects really is evident from the pencil sketches like this one. Editor: So, an unexpected rebellion lurking in the simplicity, the directness. And... I simply adore how economical his lines are. A true master. Well, this brief moment we have taken, will keep my reflections for much longer. Curator: An accessible insight which offers much consideration... A brief, informal look into the relationship of subject, society, and available medium. A wonderful study for our museum goers.
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