Two cherubs 

Fritz Boehle sketched these two cherubs in sanguine chalk, capturing the essence of innocence and divine playfulness. These cherubs, or putti, are not merely decorative; they are potent symbols. From ancient Roman art as symbols of love, to Christian art where they populate heavenly realms, these figures traverse time and cultures. Consider, for example, how the cherub's form, originally Cupid, transformed over centuries into symbols of sacred love. Notice the seated cherub, its hand playfully touching its hair, a gesture of self-awareness. This simple act mirrors classical depictions of Eros, the god of love, who often exudes a similar captivating vulnerability. Such gestures tap into our collective memory, resonating with subconscious associations of youth, beauty, and the eternal cycle of life. The cherubs, in their joyous abandon, evoke a powerful emotional response, reminding us of primal, untainted joy. The motif of the cherub evolves through history, a testament to its enduring appeal. The symbols resurface, evolving and taking on new meanings in different contexts.