Remington and co.'s old house and business premises by Anonymous

Remington and co.'s old house and business premises before 1893

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drawing, print, paper

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portrait

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drawing

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print

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paper

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cityscape

Dimensions: height 86 mm, width 64 mm

Copyright: Rijks Museum: Open Domain

Curator: Here, displayed within this opened book, is a drawing entitled "Remington and co.'s old house and business premises," dating from before 1893 and held at the Rijksmuseum. Editor: There's a real solemnity to it, don't you think? The high vantage point, the rather rigid, boxy structure... it evokes a kind of old-world stoicism. Curator: I find the very medium fascinating – a drawing reproduced as a print within a book. Consider the processes involved: the original sketch, its transfer to a printing plate, the labor of mass production allowing the wider circulation of this particular cityscape to various markets. It transcends high art; it becomes a document reflecting industrial capability and its role in cultural distribution. Editor: Certainly. However, what strikes me is the interplay of light and shadow across the building’s facade. The artist used strong lines and shading to convey a sense of depth and solidity. See how the linear details suggest depth and reinforce the geometry of the building, emphasizing proportion. Curator: And it must be interrogated. Think about what such imagery provided: perhaps validation, a link to industrial capitalism. For its audience, such drawings might offer a tangible connection to progress and to new concepts about wealth and development. Editor: That is an important perspective to have. What catches my eye is the window details repeated on the floors – and their recession into shadow that brings dimensionality and invites your eye to engage deeply with the space despite its rather small, two-dimensional scale. It creates atmosphere. Curator: Indeed, it's a record – one shaped by artistic interpretation, technological means, and the social milieu. To understand this cityscape is to appreciate how different artistic practices reflect—and, moreover, propel—material changes. Editor: Ultimately, both are intertwined; such technical and representational components contribute, consciously or not, to the visual impact that prompts one to meditate upon the significance of those changes.

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