Portret van Charles François Silvestre 1710 - 1739

Louis Desplaces made this portrait of Charles François Silvestre sometime between the late 17th and early 18th century, using engraving techniques. Here, the material reality of the copper or steel plate used for the engraving deeply influences the appearance of the print. The sharp lines, etched into the metal and then inked, create a detailed likeness of Silvestre, capturing his refined attire and focused gaze. Engraving, like other printmaking processes, allows for the reproduction of images, making art more accessible. This has huge social implications, challenging the traditional art world by broadening distribution and lowering costs. The skilled labor of the engraver, with tools like burins and etching needles, shows in the precision of the lines and the tonal variations achieved through hatching and cross-hatching. The amount of work involved, from preparing the plate to pulling the final print, reflects the economic and social context of the time, where skilled craftsmanship was valued. By recognizing the labor, materials, and context involved in this print, we challenge conventional distinctions between fine art and craft.